{"id":3140,"date":"2010-11-04T05:08:50","date_gmt":"2010-11-04T05:08:50","guid":{"rendered":"http:\/\/e-anjelik.sk\/?p=3140"},"modified":"2010-11-04T05:08:50","modified_gmt":"2010-11-04T05:08:50","slug":"musica-historica-presov-rozluckovy-koncert","status":"publish","type":"post","link":"https:\/\/www.e-anjelik.sk\/index.php\/2010\/11\/04\/musica-historica-presov-rozluckovy-koncert\/","title":{"rendered":"Musica historica Pre\u0161ov &#8211; rozl\u00fa\u010dkov\u00fd koncert"},"content":{"rendered":"<p align=\"center\"><strong>7. akademick&eacute; komorn&eacute; koncerty<br \/>\n<\/strong><strong>Rozl&uacute;\u010dkov&yacute; koncert s&uacute;boru Musica historica Pre&scaron;ov<br \/>\n<\/strong><strong>K&nbsp;325. v&yacute;ro\u010diu narodenia a&nbsp;260. v&yacute;ro\u010diu &uacute;mrtia <\/strong><br \/>\n<strong>Johanna Sebastiana Bacha<br \/>\n<\/strong><strong>Centr&aacute;lna &scaron;tudov\u0148a Univerzitnej kni\u017enice Pre&scaron;ovskej univerzity v&nbsp;Pre&scaron;ove<br \/>\n<\/strong><strong>11. 11. 2010 o&nbsp;15.30 hod.<\/strong><\/p>\n<p>Prv&aacute; polovica koncertu ma ucelen&yacute; charakter pocty J. S. Bachovi &ndash;&nbsp;tri &aacute;rie J. S. Bacha, Telemann &ndash; bol krstn&yacute;m otcom Carlovi Philippovi Emanuelavi Bachovi, Karl Fr. Abel bol \u017eiakom J. S. Bacha v Tom&aacute;&scaron;skej &scaron;kole v Lipsku a Bach bol krstn&yacute;m otcom jednej zo sestier K. Fr. Abela.<\/p>\n<p>Johann Sebastian Bach (1685 &ndash; 1750):&nbsp;<br \/>\n&Ouml;ffne dich, mein ganzes Herze &ndash; &aacute;ria z kant&aacute;ty Nun komm, der&nbsp; Heiden Heiland, BWV 61&nbsp;&nbsp; <\/p>\n<p>Georg Philipp Telemann (1681 &ndash; 1767): <br \/>\nSon&aacute;ta a mol pre violu da gamba a&nbsp;basso continuo TWV 41:a6 Essercizii Musici Nr. 5<br \/>\n<em>Largo &ndash; Allegro &ndash; Soave &ndash; Allegro<\/em><\/p>\n<p>Johann Sebastian Bach:&nbsp;<br \/>\nPatron, Patron &ndash; &aacute;ria z kant&aacute;ty Geschwinde, geschwinde,<br \/>\nihr wirbelnden Winde,&nbsp;BWV 201<\/p>\n<p>Karl Friedrich Abel (1723 &ndash; 1787): <br \/>\nSon&aacute;ta C dur pre violu da gamba a&nbsp;basso continuo<br \/>\nV<em>ivace <\/em><em>&ndash; Adagio &ndash; Menuetto<\/em><\/p>\n<p>Johann Sebastian Bach: <br \/>\nPhoebus eilt mit schnellen Pferden, &aacute;ria z&nbsp;kant&aacute;ty Weichet nur, betr&uuml;bte Schatten, BWV 202<\/p>\n<p>Johann Melchior Molter (1696 &ndash; 1765): <br \/>\nAdagio pre violu da gamba a&nbsp;basso continuo<\/p>\n<p>Georg Friedrich H&auml;ndel (1685 &ndash; 1759): <br \/>\nAmen, Alleluja &ndash; s&oacute;lov&yacute; anthem pre sopr&aacute;n a basso continuo HWV&nbsp;269<br \/>\nAmen, Alleluja &ndash; s&oacute;lov&yacute; anthem pre&nbsp; sopr&aacute;n&nbsp;a basso continuo<br \/>\nHWV&nbsp; 271 &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<\/p>\n<p>Johann Mathias Leffloth (1705 &ndash; 1731): <br \/>\nSon&aacute;ta C dur pre violu da gamba a \u010dembalo&nbsp;&nbsp;<br \/>\n<em>Adagio <\/em><em>&ndash; Allegro &ndash; Adagio &ndash; Allegro<\/em><\/p>\n<p>Antonio Caldara (1670 &ndash; 1736):&nbsp;<br \/>\nLa Rosa &ndash; kant&aacute;ta pre sopr&aacute;n a&nbsp;basso continuo<br \/>\n<em>&Aacute;ria &ndash; Largheto, cosi, cosi<br \/>\n<\/em><em>Recitat&iacute;v<br \/>\n<\/em><em>&Aacute;ria &ndash; tempo di Minuetto<br \/>\n<\/em><strong><br \/>\nMUSICA HISTORICA PRE&Scaron;OV<br \/>\n<\/strong><strong>Dana Le&scaron;\u010denkov&aacute; &ndash; spev<br \/>\n<\/strong><strong>Kl&aacute;ra Ganzerov&aacute; &ndash; spinet<br \/>\n<\/strong><strong>Karol Med\u0148ansk&yacute; &ndash; viola da gamba<\/strong><\/p>\n<p><strong>S&uacute;bor Musica historica vznikol<\/strong> v roku 1994, svoj posledn&yacute;, rozl&uacute;\u010dkov&yacute; koncert absolvuje&nbsp; 11. novembra 2010, po 16 rokoch horlivej \u010dinnosti na poli hodnotnej kult&uacute;ry.<br \/>\n\u0164a\u017eisko reperto&aacute;ru s&uacute;boru tvoria skladby z obdobia hudobn&eacute;ho baroka, ako aj vrcholnej renesancie a ran&eacute;ho klasicizmu, komponovan&eacute; princ&iacute;pom bassa continua. Pri uv&aacute;dzan&iacute; jednotliv&yacute;ch diel vych&aacute;dza s&uacute;bor z poznatkov historicky pou\u010denej interpret&aacute;cie starej hudby, ktor&eacute; \u010dlenovia s&uacute;boru z&iacute;skavali &uacute;\u010das\u0165ou na mnoh&yacute;ch v&yacute;znamn&yacute;ch semin&aacute;roch starej hudby poriadan&yacute;ch hlavne v zahrani\u010d&iacute;, ako aj na z&aacute;klade konzult&aacute;ci&iacute; s v&yacute;znamn&yacute;mi interpretmi starej hudby &ndash; prof. Siegfried Pank, Lipsko, Jos&eacute; Vasquez, Viede\u0148, Shalev Ad-El, Praha, Richard Boothby, Lond&yacute;n, Ilse Herbert, Klu\u017e. So s&uacute;borom hos\u0165ovali umelci z domova a zo zahrani\u010dia, ktor&iacute; sa zauj&iacute;maj&uacute; o problematiku uv&aacute;dzania starej hudby: Gerd Jaburek, Graz, Hans Christian, s&oacute;lista &Scaron;t&aacute;tnej opery vo Viedni, Ida Kirilov&aacute;, s&oacute;listka Opery SND v Bratislave, ako aj mlad&iacute; slovensk&iacute; umelci venuj&uacute;ci sa starej hudbe.<br \/>\nS&uacute;bor sa venoval aj interpret&aacute;cii s&uacute;\u010dasnej hudby, komponovanej pre tento s&uacute;bor dom&aacute;cimi a zahrani\u010dn&yacute;mi skladate\u013emi, ako s&uacute; Juraj Hatr&iacute;k, Denes Leg&aacute;ny (Ma\u010farsko), Wolfgang-Andreas Schultze&nbsp; (Nemecko, Hamburg).<br \/>\nNa \u017eiados\u0165 usporiadate\u013eov s&uacute;bor vystupoval aj v historick&yacute;ch kost&yacute;moch.<br \/>\nKoncertn&eacute; aktivity zaviedli s&uacute;bor viackr&aacute;t do Po\u013eska, Ma\u010farska, \u010ceskej republiky a Nemecka.<br \/>\nS&uacute;bor realizoval verejn&eacute; nahr&aacute;vky nieko\u013ek&yacute;ch svojich koncertov pre Slovensk&yacute; rozhlas,&nbsp; R&aacute;dio Regina Ko&scaron;ice.<\/p>\n<p>&nbsp;<strong>Umeleck&yacute; ved&uacute;ci s&uacute;boru Karol Med\u0148ansk&yacute;<\/strong> je absolventom Vysokej hudobnej &scaron;koly Franza Liszta vo Weimare (Nemecko) v odbore hra na violon\u010dele a kompoz&iacute;cia (do s&uacute;\u010dasnosti 40 kompoz&iacute;ci&iacute;) a Akad&eacute;mie starej hudby pri &Uacute;stave hudobnej vedy Masarykovej univerzity v Brne, kde &scaron;tudoval hru na viole da gamba u Pierra Pitzla (Rak&uacute;sko) a Thomasa Fritzscha (Nemecko). Ostatn&eacute; teoretick&eacute; predmety &scaron;tudoval u Shaleva Ad-Ela (Izrael) &ndash; hra continua a Andreasa Kr&ouml;pera (Nemecko) &ndash; uv&aacute;dzacia prax starej hudby. Na z&aacute;klade udelenia DAAD &scaron;tipendia z Bonnu v roku 2000 &scaron;tudoval na Vysokej hudobnej &scaron;kole Felixa Mendelssohna-Bartholdyho v Lipsku u profesora Siegfrieda Panka hru na viole da gamba a teoretick&eacute; dielo zapodievaj&uacute;ce sa skladate\u013esk&yacute;m odkazom a osobnos\u0165ou Johanna Sebastiana Bacha &scaron;tudoval v Bachovom arch&iacute;ve v Lipsku.<br \/>\nV&nbsp;roku&nbsp; 2003 v &Uacute;stave hudobnej vedy SAV Bratislava obh&aacute;jil dizerta\u010dn&uacute; pr&aacute;cu Postavenie violy da gamba v kant&aacute;tach Johanna Sebastiana Bacha a bola mu udelen&aacute; vedecko-akademick&aacute; hodnos\u0165 &bdquo;philosophiae doctor&rdquo; &ndash; PhD<strong>.<br \/>\n<\/strong>V roku 2008 habilitoval sa na PdF Ostravskej univerzity v&nbsp;Ostrave v&nbsp;odbore Hudobn&aacute; te&oacute;ria a&nbsp;pedagogika a&nbsp;z&iacute;skal pedagogicko-vedeck&uacute; hodnos\u0165 docent.<br \/>\nAko orchestr&aacute;lny a komorn&yacute; hr&aacute;\u010d p&ocirc;sobil vo viacer&yacute;ch orchestroch a s&uacute;boroch v Nemecku, Egypte, Polsku, Ma\u010farsku i na Slovensku. Vykazuje bohat&uacute; pedagogick&uacute; a predn&aacute;&scaron;kov&uacute; \u010dinnost: Konzervat&oacute;rium pre arabsk&uacute; hudbu &ndash; oddelenie eur&oacute;pskej hudby K&aacute;hira, Pre&scaron;ovsk&aacute; univerzita, Konzervat&oacute;rium v&nbsp;\u017diline, Gymn&aacute;zium Mlad&aacute; Boleslav, mnoh&eacute; ZU&Scaron; na Slovensku, Katol&iacute;cka univerzita Ru\u017eomberok, \u017dilinsk&aacute; univerzita \u017dilina, Univerzita Konstantina filozofa Nitra, Univerzita v L&uuml;neburgu, Otto-von-Guricke-Universit&auml;t Magdeburg, Vysok&aacute; hudobn&aacute; &scaron;kola Franza Liszta vo Weimare, RU v&nbsp;Rzesz&oacute;we, Ostravsk&aacute; univerzita v&nbsp;Ostrave.<br \/>\nJe \u010dlenom Novej Bachovej spolo\u010dnosti v Lipsku; Telemannovej spolo\u010dnosti v Magdeburgu; Spolo\u010dnosti violy da gamba vo Winterthure\/&Scaron;vaj\u010diarsko; \u010ceskej hudobnej spolo\u010dnosti &ndash; Spolo\u010dnos\u0165 pre star&uacute; hudbu, Praha; Slovenskej muzikologickej asoci&aacute;cie, Bratislava, Pre&scaron;ovsk&eacute;ho hudobn&eacute;ho spolku S&uacute;zvuk.<br \/>\nJe \u010dinn&yacute; aj vedecky a publicistisky (6 odborn&yacute;ch a vedeck&yacute;ch kni\u017en&yacute;ch publik&aacute;ci&iacute;, 50 vedeck&yacute;ch &scaron;t&uacute;di&iacute; v dom&aacute;cich a zahrani\u010dn&yacute;ch sborn&iacute;koch a vy&scaron;e 100 odborn&yacute;ch \u010dl&aacute;nkov v dom&aacute;cich a zahrani\u010dn&yacute;ch \u010dasopisoch).<br \/>\nZa svoju bohat&uacute; \u010dinnost z&iacute;skal viacer&eacute; medzin&aacute;rodn&eacute; aj dom&aacute;ce ocenenia, vr&aacute;tane Ceny Sebastian (2009)<\/p>\n","protected":false},"excerpt":{"rendered":"<p>7. akademick&eacute; komorn&eacute; koncerty Rozl&uacute;\u010dkov&yacute; koncert s&uacute;boru Musica historica Pre&scaron;ov K&nbsp;325. v&yacute;ro\u010diu narodenia a&nbsp;260. v&yacute;ro\u010diu &uacute;mrtia Johanna Sebastiana Bacha Centr&aacute;lna &scaron;tudov\u0148a Univerzitnej kni\u017enice Pre&scaron;ovskej univerzity v&nbsp;Pre&scaron;ove 11. 11. 2010 o&nbsp;15.30 hod. Prv&aacute; polovica koncertu ma ucelen&yacute; charakter pocty J. S. Bachovi &ndash;&nbsp;tri &aacute;rie J. S. Bacha, Telemann &ndash; bol krstn&yacute;m otcom Carlovi Philippovi Emanuelavi Bachovi, &#8230; <a title=\"Musica historica Pre\u0161ov &#8211; rozl\u00fa\u010dkov\u00fd koncert\" class=\"read-more\" href=\"https:\/\/www.e-anjelik.sk\/index.php\/2010\/11\/04\/musica-historica-presov-rozluckovy-koncert\/\" aria-label=\"Pre\u010d\u00edtajte si viac o Musica historica Pre\u0161ov &#8211; rozl\u00fa\u010dkov\u00fd koncert\">\u010c\u00edta\u0165 viac<\/a><\/p>\n","protected":false},"author":23,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-3140","post","type-post","status-publish","format-standard","hentry","category-adventna-modlitba"],"_links":{"self":[{"href":"https:\/\/www.e-anjelik.sk\/index.php\/wp-json\/wp\/v2\/posts\/3140","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.e-anjelik.sk\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.e-anjelik.sk\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.e-anjelik.sk\/index.php\/wp-json\/wp\/v2\/users\/23"}],"replies":[{"embeddable":true,"href":"https:\/\/www.e-anjelik.sk\/index.php\/wp-json\/wp\/v2\/comments?post=3140"}],"version-history":[{"count":0,"href":"https:\/\/www.e-anjelik.sk\/index.php\/wp-json\/wp\/v2\/posts\/3140\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.e-anjelik.sk\/index.php\/wp-json\/wp\/v2\/media?parent=3140"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.e-anjelik.sk\/index.php\/wp-json\/wp\/v2\/categories?post=3140"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.e-anjelik.sk\/index.php\/wp-json\/wp\/v2\/tags?post=3140"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}